Thursday, December 18, 2014

The Force Awakens Probably Won't Suck--Here's Some Reasons Why




Now that I've spent the last couple of weeks thinking about the teaser trailer for the upcoming Disney Star Wars movie, Star Wars Episode VII: The Force Awakens, I've got only one thing to say (followed by a lengthy explication):

It's probably going to be pretty good.  Or decent.  Maybe.

Notice I didn't say “great”. I said “pretty good” (or decent--I'm open for just decent). There's a distinct difference, one any lifelong fan of the movies knows instinctively. Great movies live forever in the minds of those who see them, they echo down across multiple generations, they influence the movies that come after in the wake of their opening day for decades. The Wizard of Oz is one of those, The Good, The Bad and the Ugly, the original Star Wars, Pulp Fiction, The Dark Knight, Jaws, etc. Any one of those films, and many more, left a permanent stamp on movie history. People go back to them again and again, incorporate them into their personal philosophy, even come damn close to worshiping them in some cases. I've heard stories of people who would carry a VHS copy of The Godfather in their back pocket so they could pop it into friends' VCRs whenever the opportunity presented itself (I assume now they carry it on a tablet or nag those same friends to bring it up on Netflix, and I'm sure their lower backs thank them).

A greater percentage of movies fall into the “pretty good” category. Captain America: The Winter Soldier is pretty good. That's obviously a subjective point of view, but I'm sticking to it for the purposes of this post. I probably won't watch it that many times. Once or twice more and then I'll be in my grave. But it's still a thoroughly enjoyable, fast-moving, entertaining piece of big budget comic book movie. It succeeds with everything it set out to do, and if it didn't completely fulfill all the filmmakers' hopes, I sure didn't notice while I was watching it. I had a good time and there ain't nothin' wrong with that.

I am absolutely positive I'm going to feel the same way about the next Star Wars when it comes out. It will not, for me and many others, come anywhere close to emulating the experience of watching the Original Trilogy (you have to capitalize it) when it was new, or the feeling of going back to watch it again—as I have many, many times—to relive that experience. It can't do that, any better than the prequels could (they get the lower-case treatment), and I want to make it clear that I believe this upcoming film will be much better than any of George “I Couldn't Be Bothered To Direct A Movie For 20 Years Until My Monumental Hubris Made Me Do It And Now Look What I've Done” Lucas' cynical cash grabs.

J.J. Abrams has already demonstrated he can make perfectly fine, entertaining science fiction movies with his two Star Trek reboots, even if some hardcore Trekkers disagree. Let's also not forget Super 8, where he did a remarkable job of imitating 80's-era Steven Spielberg. Lawrence Kasdan, the man who penned The Empire Strikes Back, has returned to punch up the script, and that's probably a very good thing, assuming he hasn't lost any of his chops. Lucas' input is rumored to be minimal, relegated to suggesting which direction the story should take, which shouldn't present too much of a problem provided the people actually helming the project know how to override him—after all, he doesn't own the property anymore in the strictest sense.

I'm also heartened by the fact that Abrams has said he wants to use practical effects, as opposed to digital ones, whenever possible, hopefully giving the film (and the two or more others planned to follow it) a more grounded, real-world look—at least as real-world as you can get with a story set in a galaxy far, far away. Of the many complaints lodged against Lucas, his reliance on computer-generated settings for his prequels was among the biggest. Those movies look sterile, artificial, and drab. This one, hopefully, will have much more visual vitality. Judging from the work he did on Super 8, there is also the possibility he'll bring an Original Trilogy tone to the new entries.

What I'm hoping for is that the new Star Wars movies will fall more on the side of Disney's Marvel films in terms of quality, and less on the John Carter of Mars and Lone Ranger side (Pirates of the Caribbean would also be unacceptable). I'm close to 100% certain that will be the case. If not, it's gonna kill any chance the franchise might have had for getting back on its feet, and a lot of future movie plans are going to be scrapped (think about what's going on with the Spiderman franchise after Amazing Spiderman 2). That would be unfortunate, because I like the idea of different directors getting a crack at Star Wars, bringing a little of their own style and and attitude to the projects to the extent that Disney will let them (Marvel/Disney is known for bringing the hammer down on directors whose vision doesn't synch up with its own). They're talking about stand-alone movies to come out in between the sequel entries, opening up the possibility of some pretty cool new Star Wars films, as well as, not surprisingly, some godawful dreck (one of the proposed films is a Jedi Seven Samurai directed by Zack “I'm A Thirteen-Year-Old Boy Trapped In A Man's Body” Snyder, which is pretty much guaranteed to suck on some level).

The people I feel sorry for are the ones who will go to this new movie praying for a return to Empire Strikes Back levels of awesomeness. It's just not going to happen, and I think you should be a little ashamed of yourself if that's what you're expecting. Those days are gone; you're an adult now; lighting struck in a very particular place at a very particular time, and that's all you get. Don't hold your breath for your youth to return—you'll suffocate. If you're anything like me, you've gotten sick of the cultural saturation Star Wars has achieved, in spite of the fact that you've loved the franchise you're entire life, and you've begun to focus on other things, sort of. If you simply have a good time watching the new movies, and the studio gets rich off our collective enthusiasm, well, everybody wins then, don't they. That's pretty much what all commercial entertainment boils down to.

George Lucas on his way to the Disney/Lucasfilm offices to make some story suggestions